On May 23, 2011, Harmon began hosting a monthly live comedy show and podcast at Meltdown Comics in Hollywood called Harmontown.
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NBC cancelled the show after its fifth season in May 2014, after which Harmon announced on Jthat Yahoo! had renewed the series for a 13-episode sixth season to air online on Yahoo! Screen. On June 1, 2013, Harmon announced that he would be returning to Community, serving as co-showrunner along with Chris McKenna this was confirmed by Sony Pictures on June 10. Harmon served as executive producer and showrunner for 3 seasons until May 18, 2012, when it was announced that Harmon was being terminated from his position on Community as a result of creative conflicts between himself and Sony executives. In 2009, Harmon's sitcom Community, inspired by his own community college experiences, was picked up by NBC to be in its fall lineup. He is credited with writing part of Rob Schrab's comic book series Scud: The Disposable Assassin, as well as the spin-off comic series La Cosa Nostroid. He and Rob Schrab co-wrote the screenplay for the Academy Award-nominated film Monster House. He was the creator, executive producer, and a featured performer in Acceptable.TV, a Channel 101-based sketch show airing for eight episodes in March 2007 on VH1. Harmon portrayed a highly fictionalized version of Ted Templeman on two episodes of the Channel 101 web series Yacht Rock, a satirical history of soft rock, featuring stories about Templeman's collaborations with The Doobie Brothers, Michael McDonald and Van Halen. He co-created Comedy Central's The Sarah Silverman Program and served as head writer for several episodes. Harmon co-created the television pilot Heat Vision and Jack (starring Owen Wilson and Jack Black) and several Channel 101 shows, some featuring Black, Drew Carey, and Sarah Silverman. A notable routine was a song about masturbation.
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Harmon frequently appeared at Milwaukee's Safehouse free comedy stage early in his career. They produced an album, Take Down the Grand Master, in 1996. Pretty much everything else about this sucks.Harmon was a member of ComedySportz in Milwaukee, alongside Rob Schrab, a member of the sketch troupe The Dead Alewives. Moss is almost the best thing in it, but it's David Dencik who steals the show as the seedy Puss - he's the only one remotely believable as a character following his own destiny while everyone else makes dumb decisions because the plot needs them to.
This is like those few episodes, except with better cinematography and a higher caliber of actor phoning it in. There's usually a point in every long running soap opera where a killer is on the loose and a few favourite characters need culling because they cost too much and the network wants to stir things up.
No? Okay, throw in nearly every male character being needlessly misogynistic, some terribly clunky dialogue and wooden acting. Ditto for Gwendoline Christie's character's arc involving pregnancy - really, it's not enough to have a cop story about people smuggling surrogate mothers with the lead cop having daughter issues then being partnered with another female cop who's got her own pregnancy story with her and Moss's boss. Nicole Kidman is utterly wasted in a role that wouldn't be missed if it ended up on the cutting room floor. S2 starts off in a similar vein, but it's not long before the detective work starts playing second fiddle to an increasingly dumb and soapy drama. I loved the first series - it was odd enough to be interesting and good at slowly unravelling the story in a way that was compelling. I loved the first series - it was odd enough to be interesting and good at slowly unravelling the story in Having Elizabeth Moss in a show is usually a good sign that it's something worth investing a bit of time in, add in Jane Campion and it really ought to be interesting at he very least. Having Elizabeth Moss in a show is usually a good sign that it's something worth investing a bit of time in, add in Jane Campion and it really ought to be interesting at he very least.